- #Davinci resolve studio 12.5 best color editor manual#
- #Davinci resolve studio 12.5 best color editor professional#
When matching shots is necessary, you can save a lot of time with Resolve’s automatic shot matching capabilities. Masks apply color correction to select portions of the image.
#Davinci resolve studio 12.5 best color editor manual#
If you need to make manual adjustments to the tracking, you can switch to the keyframe mode. The tracking is automatic and does an amazing job. Plus, the program can track a mask off screen. Objects such as a person’s face rotating or a camera panning used to throw a tracked mask off - not any more.
Many times, masks are used to help color correct only part of the shot. Resolve’s motion tracking is in a league of its own, and it just got better with 3D tracking capabilities.
#Davinci resolve studio 12.5 best color editor professional#
Resolve’s ability to fix footage that wasn’t shot right is one reason it has become a go to program for many professional editors. At first glance it might feel overwhelming, but it’s worth investing the time to learn because it can do so much more than the color correction filters in an editing program. Color CorrectionĭaVinci Resolve 12 is a Hollywood-caliber program for color correction. If you want to color correct the video clips in their original format, you can switch them back over to the original files in seconds. You can now convert every clip you are working with to proxy files with little effort, even if you already have clips edited in your timeline. Editing with proxies has never been easier thanks to DaVinci Resolve 12. If you’re working with large file sizes such as 4K or 6K video clips, don’t worry.
Unfortunately, Resolve doesn’t work with all formats, and it would be nice if they could add more codec support to the program.Īlthough proxy files aren’t exciting, Resolve’s proxy workflow is. It’s not a problem if you are shooting with different types of cameras. Resolve’s timeline can handle mixed formats and resolutions in real time. If you have never used any of these trim tools before, now is the time to start. You can even use this functionality on multiple clips at once. Instead of forcing you to constantly change your trim tools, Resolve eliminates that hassle and changes the tools for you based on where you place your cursor in the timeline. In traditional software, you have to memorize the short cut keys or go to the tools window every time you need to access the trim tools such as a roll, slip or ripple to name a few. Trimming is a simple feature that is so powerful it’s strange that the Resolve trim tool isn’t found in other editing programs. Plus, trimming those clips has never been easier. Once you’re done, you can make adjustments in the timeline if necessary. They show up in a grid and you just click on the camera angle you like best. Once synced, you can edit the multiple cameras in real time. Resolve does an excellent job of lining up the multiple clips. Using sound to sync clips is a big time saver and works great. This comes in handy for a concert, wedding or even a two camera interview. You can sync your clips by using the in/out points, timecode or sound. If you have multiple cameras to work with, multi-cam editing is now available, and it’s simple and fast.
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